An anthropomorphic approach to experience design.
- Pavel Fernandez
- Mar 16, 2019
- 3 min read
Updated: Apr 2
We live in a world inundated with information—an ecosystem where the sheer volume of stimuli far exceeds our real-time conscious processing capabilities. This sensory overload extends beyond digital media and into the very fabric of our surroundings. Every pixel of color, every shape, object, and creature, no matter how minute, carries data. Add to that the myriad of scents, the whisper of wind against the skin, and the continuous hum of urban or natural environments. If we were to attempt full conscious awareness of all these inputs simultaneously, the complexity of our perception would quickly become unsustainable.
Thus, when designing an object, an interface, or a product, it is imperative to consider not just how a user interacts with the final output but also how their cognitive mechanisms filter, prioritize, and interpret it. By understanding the principles behind human perception, we can create experiences that align with the way people naturally process information, ensuring engagement, usability, and clarity.
Hallucinogenic Reality: The Illusion of Absolute Perception.
Despite our deeply ingrained trust in our senses, human perception does not offer a direct, unfiltered representation of reality. Rather, it provides a functional approximation—a model constructed by our brains to help us navigate an otherwise overwhelming environment. Neuroscience and psychology have illuminated the cognitive processes that help us manage the billions of sensory inputs we receive at any moment.
To cope, the brain employs mechanisms such as selective attention, pattern recognition, and subconscious filtering, effectively discarding, prioritizing, and categorizing information into a more digestible format. This streamlined perception is not an objective truth but an adaptive hallucination—a rapid and fluid averaging of sensory experiences, shaped by cognitive shortcuts designed to prevent us from succumbing to a chaotic, hallucinogenic reality.
In essence, perception is not just about experiencing the world but actively constructing it, moment by moment.
The Bias of Perception: A Subjective Reality
The way we perceive reality is not solely dictated by our physiological limitations. Even at the most fundamental visual and symbolic levels, perception is shaped by our expectations, past experiences, and underlying cognitive biases. What we see is often a projection of what we anticipate seeing, influenced by our unique history and the context in which a stimulus is presented.
In summary, perception is influenced by at least three key factors:
Prior Experiences: What we have previously encountered shapes how we interpret new stimuli. The more familiar a pattern, the quicker we recognize it, even at the cost of occasional misinterpretations.
Contextual Cues: The setting and surrounding elements guide our perception, helping us infer meaning based on environmental conditions and relational positioning.
Intent and Goals: Our immediate objectives influence what we notice and what we disregard. We often perceive only what is relevant to our current needs or tasks, ignoring extraneous details.

The Bias of Perception: A Subjective Reality
Long before early humans roamed the African savanna, their cognitive faculties had already evolved to recognize life-or-death signals in the wild. The ability to rapidly identify a predator amidst a chaotic backdrop of moving shadows and shifting light was essential for survival. Even if their conclusions were frequently false—mistaking rustling leaves for a lurking threat—the cost of an error in favor of caution was far less than failing to detect a real danger.
This reliance on cognitive shortcuts did not just aid survival; it also helped us thrive. As both predators and prey, humans have honed the ability to make rapid, experience-driven judgments based on incomplete data. This efficiency has extended beyond survival instincts into everyday interactions, shaping the way we process interfaces, interpret symbols, and navigate digital and physical environments.
One of the most compelling frameworks for understanding how experience and biology shape visual perception is the Gestalt school of psychology. Developed in the late 19th and early 20th centuries, Gestalt principles illustrate how we instinctively group elements, recognize patterns, and simplify complexity into coherent wholes. These insights have profound implications for design, revealing that effective user experiences must align with our brain’s intrinsic organizational tendencies.
Designing for Perception: The Implications for Experience Design
Understanding the cognitive mechanics of perception is crucial for crafting meaningful and effective design experiences. Whether creating digital interfaces, immersive environments, or products, designers must consider:
Cognitive Load Reduction: Simplifying visual and informational structures to prevent user overwhelm.
Pattern Recognition: Leveraging familiar structures, icons, and visual groupings to enhance usability.
Context Awareness: Designing with an awareness of how environmental and situational factors shape interpretation.
Expectancy and Surprise: Balancing predictability with moments of novelty to maintain engagement without disorientation.
In a nutshell
By adopting an anthropomorphic approach to experience design—one that considers how humans actually perceive, rather than how they theoretically should perceive—we can create more intuitive, impactful, and emotionally resonant experiences. In a world inundated with stimuli, the most effective designs are those that work with, rather than against, the intricate mechanisms of human cognition.
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